Vertical gardens barricade the Perez Art Museum, providing much needed shade and heat absorption during Miami’s sweltering summers. The massive windows that line the exterior of the building are the largest hurricane resistant windows in the world. It’s as if current-day architects took a good look at the storied Vizcaya estate that edges the water in the southern part of the city and learned how a century of wear-and-tear transformed Tuscan idealism into tropical overgrowth.
The arrival of the Perez Art Museum not only signals a shift in sustainability but also has put downtown Miami back on the map. Three decades after Miami Vice turned this city core into a bloody graveyard at night, museums, hotels, high-rise condominiums, and James Beard-nominated restaurants have arrived on the scene to lure the Miami Beach and Coral Gables crowd back to urbanity. Miami’s Design District and the surprising success of developer Tony Goldman’s vision of a graffiti-saturated Wynwood Walls helped build the foundation for a Miami resurrection. The Perez Art Museum pays homage to the local contemporary art scene by offering exhibitions on design, minimalist art, geometric abstraction, and works by artists of Latin descent. Yet, this is merely the forefront of the recent surge of development. In fact, everywhere you look along the shores of Biscayne Bay are tall cranes and construction.
My entire story on the gentrification of downtown Miami can be found in the latest issue of Everett Potter’s Travel Report.