New Brunswick Week: First Stop, St. Andrews-by-the-Sea

Kingsbrae Garden, St Andrews For the past two decades, Canada’s Atlantic Maritimes and particularly New Brunswick have been one of my favorite outdoor playgrounds to sea kayak, bike, and hike in or around the Bay of Fundy waters. But it’s not just the stunning granite ledges, huge tidal shifts, and towering pines that beckon. The majestic scenery certainly excites, but it’s the people of this province and their distinctive passions that keep me returning as often as possible.

Take, for example, one Mrs. Lucinda Flemer of St. Andrews. In 1998, she had the brilliant idea of taking the century-old hedges and boxed gardens of her youth and creating arguably the most magical botanical garden in Canada. In 2010, I was so enraptured with the 27-acre grounds that I named the Kingsbrae Garden one of my top travel destinations of the year, competing with trips to Africa, Europe, and Latin America that year. When I returned yesterday, I was even more impressed. The yearly sculpture contests in the garden has led to one of the largest permanent sculpture gardens in Canada. The perennials were still in bloom, as they are throughout the spring, summer, and fall. This time, the pinkish-purple echinacea radiated throughout the garden. The sensory garden is just as seductive to touch and smell as I happily felt the velvety lamb’s ear and inhaled the powerful lemon scented geraniums.

Next door to the garden is Kingsbrae International Residence for the Arts and a glorious amphitheater for outdoor concerts and performances created in 2016. Monthlong arts residences are open to artists, sculptors, writers, and filmmakers and I had the good fortune to meet one illustrator working on a children’s book based on the groundbreaking work on indigenous culture, Braiding Sweetgrass. Now a nonagenarian, Mrs. Flemer was also seen walking the grounds, her imagination still fertile as she continues to build on her whimsical creation. She continues to inspire the next generation of horticulturalists, botanists, sculptors, artists, chefs (as evidenced by the innovative fare we had for lunch in Garden Café) and yes, even travel writers.

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New Brunswick Week: Enjoying the Whiskey and Craft Brew of Fredericton

Craft Brew in FrederictonWhen I last strolled into the Lunar Rogue Pub in 2014, owner Frank Scot had over 500 types of whiskey for sale. Today, he has close to 950 varieties that include Scotch, Irish Whiskey, Japanese Whiskey, and a whole glass enclosed back cabinet devoted to bourbon, which, of course, I had to partake. If you’re searching for a taste of Killyloch 67 or Glen Flagler 73, no problem. It will only set you back $800 an ounce in Canadian dollars. Or better yet, have a taste of the Mortlach 12 Year Old, one of Frank’s favorites, as he sits down and joins us for dinner.

It’s no surprise that Whiskey Magazine has named the Lunar Rogue one of the great whiskey bars of the world. In 2016, Scotland bestowed on Frank the coveted Keepers of the Quaich title for being such a wonderful ambassador for Scotch. Scott is also founder of the Canada’s oldest whiskey festival, one of the rare joint ventures between the Canadian government which controls the liquor trade, and a private business owner. The 4-day festival takes place each year in November and usually sells over $500,000 worth of whiskey to some 6,000 collectors that come to Fredericton from across the globe. This year’s event might not happen since alcohol sales surged during the pandemic and there’s a shortage of whiskey. That would be a shame because the Feast for the Senses event, where whiskey is paired with the Turner, Sisley, Dali, and Lucian Freud paintings, among others at Fredericton’s renowned Beaverbrook Art Gallery, is one of the signature New Brunswick events of the year, often selling out in minutes. In the meantime, you can download the Lunar Rogue app and read about all those whiskeys Frank has managed to collect.

If you prefer craft beer to whiskey, Fredericton now boasts the largest number of craft brewers per capita in the the Atlantic Maritimes with 26 local breweries, cideries, distilleries, and wineries. Not too shabby for a population a tad over 65,000. While in town, I tried the Yippee IPA from one of the oldest establishments, Picaroons, a pilsner from Graystone, and an Island Red from Gahan House Riverside, set in a former bank. The beers are even tastier if you pedal some of the 120 kilometers of bike trails found in Fredericton, much of which line the shoreline of the wide St. John River. Second Nature Outdoors rents bikes and offers guided rides that feature the best of the local cuisine and beers. It’s the perfect introduction to a city that should not be overlooked on your New Brunswick itinerary.

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A Must-Stop at the Miro Museum in Barcelona

While I found the Picasso Museum to be somewhat of a disappointment (it skips from 1901, the last of his formative years in Barcelona straight to 1917 with barely a word about his breakthrough early Cubism works), I found the Fundacio Joan Miro to be an utter delight. Inside the more than 20 galleries, you’ll find many of his whimsical large-scale paintings, sculptures, even a tapestry. Located in Parc de Montjuïc near the 1992 summer Olympics diving venue, we accessed the museum by first walking down to the beach to take a cable car up over Barcelona’s port. It was a wonderful way to view the sailboats and cruise ships plying the waters of the Mediterranean below. Once we arrived in the park, we walked 10 minutes to find the museum. Inside, you’ll find his colorful dots, lines, and familiar symbols, even some anguish-filled works during the time of the Spanish Civil War, all donated by his family and a top collector from Japan. Then venture outside, atop the museum, to see his works of sculpture and the city below. A real joy. 

 
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My Grandfather’s Sketchbooks Still Inspire Me to Travel

Guest Post and Photo by Amy Perry Basseches

My grandparents were inveterate world travelers — and Grandpa, an architect, was always sketching and painting wherever they went. Framed examples of his watercolors have graced every place I’ve lived. In Boston, our home displayed Pisa (1955), Nara (1959), Crete (1960), and Florida (1977). Now, in Toronto, Josh and I have Venice’s Rialto Bridge on the wall (1954). It was not only the sketchbooks, but gifts from afar that entertained me as a child. With Grandma and Grandpa’s help, I gathered a large collection of dolls from other countries, learning early on that the world was a big, diverse place that I wanted to understand more. I suppose you could say my love of travel and exploration was instilled by them. 
 
Recently, in September, I was looking through a pile of Grandpa’s sketchbooks which I hold for all relatives as part of the family archives. Believe it or not, I found pencil drawings and watercolors of places to which I would travel a month later: Grandpa’s "Newfoundland, 1977." Indeed, in early October, I saw the Bonavista Lighthouse he depicted. Further, I found a notebook entitled "Japan, 1959," and, after pausing to wonder what led my grandparents to Japan at that particular time, I decided to ask my niece whether she had been to any of the named sites. She and her partner were on a 2-week trip to Japan last summer when they became engaged. All seven of the great-grandchildren should have Grandpa’s artwork on their walls, I thought, to inspire even more generations to experience the larger world.
 
Grandma and Grandpa were first generation Americans (born to immigrants from Russia and Lithuania as the 1800s turned to the 1900s), and raised in New York City. Grandpa was the youngest of eight. Amazingly, both went on to college and graduate school. 100 years later, their curiosity, pluck, and sense of adventure still motivates me, and lives on through Grandpa’s sketches and watercolors. 
 
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Miami’s Wynwood Walls Continues to Mesmerize

Last time I visited that street art museum they coined Wynwood Walls in Miami, I had lunch at the newly opened restaurant, Wynwood Kitchen & Bar. I remember walking inside and being blown away by the massive mural Shepard Fairey painted behind the restaurant’s bar. Just as exciting was the wonderfully whimsical and colorful work by Brazilian identical twins, Os Gêmeos, best known in Boston as the pair who created the beloved 70-by-70 feet mural of a boy in pajamas that overlooked Dewey Square for more than a year. On that first visit, I met the daughter of Tony Goldman, the real estate developer who wanted to do something special for the start of Art Basel in 2009. Goldman wanted to bring the crowd into the emerging neighborhood of Wynwood, nestled between the Design District and downtown. Much of the industry here once centered around shoe manufacturing. When that went into decline in the 1980s and ’90s, those buildings became derelict. That’s when Goldman stepped in and started to buy some of the properties, envisioning a lively arts scene. 

 
Tony Goldman has since died but his vision of a street arts scene in Wynwood has both survived and thrived as I was privy to last week when I introduced my wife and daughter to the neighborhood. When I first came here 5 years ago, there was a slow trickle of avid art lovers. Now it’s a must-see stop on any tour of Miami, as crowds pour in to see the ever changing walls of street art. The beauty of graffiti is that no work is permanent so the roster of artists is always evolving. Thankfully, the works of Os Gêmeos and Shepard Fairey remain. 
 
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A Necessary Stop at the Corning Museum of Glass on a College Road Trip

On our drive last week from the campuses of Penn State to Syracuse, we stopped about an hour south of Ithaca in the small town of Corning, New York. Here you’ll find one of my favorite museums in western New York, the Corning Museum of Glass. Founded in 1851, Corning Glass Works was instrumental in helping Thomas Edison create the light bulb on a mass scale, designed the first television screens, invente the first assembly-line bottling plant, and now the company is thriving with the proliferation of fiber optics. You can learn about the inventors and innovation of glass at the museum. Corning also features an exceptional collection of glass art from Egyptian times to the present that will only get bigger with the new $64 million Contemporary Art and Design Wing set to make its debut on March 20th. The 26,000-square-foot art gallery will be the largest space anywhere dedicated to the presentation of contemporary art in glass. It will also house one of the world’s largest facilities for glassblowing demonstrations and live glass design sessions, with 500 seats. Another highlight of the museum is the chance to create your own art, via glassblowing or sandblasting. My wife made a wind chime while my daughter created a glass pendant. 

 
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Don’t Miss Van Gogh Show at The Clark

The blockbuster show in New England this summer is not at Boston’s Museum of Fine Arts. No, you’ll have to travel to the northwestern corner of Massachusetts to Williamstown to find the Clark Art Institute. On view until September 13th is “Van Gogh and Nature,” fifty paintings and drawings by Van Gogh from over thirty museums and private collections. We stopped at the Clark yesterday, on the way back from dropping our son off at Cornell, and, wow, was it worth the slight detour. The works from the last 3 years of his life, in Arles, Saint-Rémy, and Auvers, are spectacularly vibrant. There are wonderful pairings of sketches and oils, like two depictions of olive trees hung side-by-side. I also liked how the curator used maps to show exactly where in France these towns are located and provided large photographs to see how they would look during Van Gogh’s time. 

Inspired by Van Gogh’s work, you can take you own walk through glorious nature. Stroll through the Clark’s meadows atop Stone Hill for a wonderful vista of Mount Greylock and the town of Williamstown below. Take a breather on the bench inside Thomas Schütte’s “Crystal,” an open-sided architectural piece newly planted on the grounds. You know it’s just been built because it smells like fresh wood. Then make your way down to the Lunder Center at Stone Hill, also on the Clark property to find another gem of an exhibition devoted to “Arrangement in Grey and Black, No. 1 (Portrait of the Artist’s Mother),” otherwise known as Whistler’s Mother. Two small galleries of Whistler’s prints and drawings accompany the famous work. One glance at any of these works to see the mast of a ship, portrait of a niece, or buildings so small you’ll need a magnifying glass to find, and you’ll quickly appreciate Whistler’s immense talent. The Whistler show will be on view until September 27th, so make the effort to get here soon. You’ll thank me! 

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