Top Travel Days of 2023, Meeting the Artisans of Florence

Guest Post and Photo by Amy Perry Basseches

Our trip ended in Seattle, where my husband, Josh, had a conference with the Association of Art Museum Directors. Our hotel was a step up from where my daughter, Sophie, and I had spent the last many nights: the Fairmont Olympic, built in 1924 and beautifully renovated, well located within walking distance of the waterfront. Our two favorite activities in Seattle were visiting Bainbridge Island and getting an inside tour of Dale Chihuly’s private studio. We took the commuter ferry over to Bainbridge, got an island map, shopped, wine tasted, and visited the truly lush Bloedel Reserve on the north end of Bainbridge. Steve had recommended that we bike Bainbridge, but we couldn’t figure out how to fit that in. In terms of the Chihuly private studio tour, all I can say is "WOW." We’ve done glassblowing a number of times, but, trust me, we never created anything like this. Chihuly was born in 1941 in Tacoma, WA, and resides nearby. His studio is full of collections of items which inspire him—indigenous baskets to blankets to vintage bathing suits to old children’s books. My only regret is the road trip ended and I didn’t get to see Mt. Rainier up close. Next time!

Thanks again for following along this week. It was a pleasure to discuss the highlights of my trip. If you need any help with your travels out West, please contact me at ActiveTravels.

Long before people headed to Niagara on the Lake to sample the world-class chardonnays and rieslings, and prior to outfitters like Butterfield & Robinson arriving on the scene to design exceptional day rides, there was the renowned Shaw Festival. Held from the beginning of April to early November, the theatre festival celebrates the works of George Bernard Shaw and his contemporaries. More than a dozen productions are performed each year at four stages from works created by Noel Coward, Arthur Miller, Oscar Wilde, Lillian Hellman, and a slew of other noteworthy playwrights. This year, expect to find Frank Loesser’s Guys and Dolls, Wilde’s Lady Windermere’s Fan, and Bernard Shaw’s Major Barbara. Last night at Royal George Theater, I took in Our Betters, a rarely performed play by one of my favorite writers, Somerset Maugham. Set in 1920s London, the play is based on a familiar story line from the popular television show, Downton Abbey, where a down on his luck British aristocrat marries a well-to-do American gal for her money. Yet that’s where the similarity ends. Our Betters is much more of a satire, a predictable romp that gets big laughs. Though it’s not Maugham at his finest, it’s still a delight to watch due to the exemplary acting, absorbing sets, and the art deco costumes that take you back to the Roaring 20s. Kudos to the Shaw Festival for continuing to produce plays where biting wit and rapid-fire repartee entertain. 

Quebec City’s Musee de la Civilisation might sound like some vague museum of anthropology. Venture inside and you’ll be surprised to find one of the most intriguing museums in North America. On my last trip to Quebec City, I was treated to an exhibition called Urbanopolis, an architectural study that shows how cities around the world are preparing themselves for the future through apartment design and public transportation. When I returned this weekend, I saw a fascinating show on Nigerian art from private French collections, rarely seen by the public. The 187 objects from 44 various ethnic groups in Nigeria included a series of large masks created from, among other things, the human skull, facial hair, antelope horns, and lion’s teeth. I especially enjoyed the films of anthropologist Arnold Rubin from the 1960s that showed remote Nigerian tribesmen dancing with several of the masks and costumes on display. Another worthwhile exhibition at the Museum showcased New Zealand’s Maori culture and featured large wooden carvings from ancestral meeting houses. 

Having sat next to my brother at a number of his workshops, including stops at Harvard and the Seattle Film Festival, I know firsthand how incredibly inspirational his talks can be. Jim’s already worn so many hats in the entertainment world—talent agent to stars like Alan Arkin and Helen Hayes, screenwriter, director, theater director, documentarian, award-winning producer—and known so much talent that have succeeded beyond their wildest dreams and others that have failed miserably. In fact, he’s distinctly qualified to understand and analyze why some people can make a good living pursuing their creative ambitions and others stuff those dreams away in a dimly lit office far from their film, art, or journalism schools. Take it from a guy who’s worked as a full-time travel writer and screenwriter for the past two decades, Spielberg is not going to call on line one and you’ll be marketing far more than you’ll be writing. 

Having spent half my childhood listening to Pink Floyd on my headphones, I’m incredibly excited by the following news. Starting tomorrow at London’s V&A Museum is a blockbuster exhibition on the band titled “Pink Floyd: Their Mortal Remains.” The show traces Pink Floyd’s origins from the 60s London psychedelic scene, when they were house band at the UFO nightclub, through landmark albums like “The Dark Side of the Moon” and “The Wall.” On display are scores of instruments, letters, items of clothing and other artifacts, as well as some impressively large installations, like a replica of London’s Battersea Power Station, the structure that appears with the flying pig on the cover of the band’s 1977 album “Animals.” Yes, the pig is also on display. There’s a hint of nostalgia to the show, which comes 50 years after the release of Pink Floyd’s first album, “The Piper at the Gates of Dawn,” recorded at Abbey Road Studios the same time The Beatles were creating “Sgt. Pepper’s Lonely Hearts Club Band” in the next room. The exhibition will be at the V&A through October 1st.