Art Finds

When Lisa mentioned to me that there was a museum devoted to music in the northern outskirts of Phoenix, I initially scoffed at the idea, having already been to Cleveland’s Rock and Roll Hall of Fame and the Jimi Hendrix Experience in Seattle. Thankfully, she persuaded me to visit the Musical Instrument Museum since it ended up being one of the highlights of the trip. Unfortunately, we didn’t have nearly enough time to view the entire collection in this large building (give yourself at least 2 hours, preferably 3 hours). We went upstairs first to see the exhibitions devoted to music around the world. In the European galleries, display cases are arranged by country. Simply walk up to the Belarus video and your headset will automatically play the indigenous folk music of that country. In fact, the headset was amazing, immediately picking up the music in front of you without having to input numbers. In the United States/Canada gallery, I loved seeing the old clips of Coltrane and Miles in the jazz section, Natalie MacMaster work her fiddle in the Cape Breton display, and Lalo Guerrero singing about his native Barrio Viejo in Tucson, which we had just visited the day prior. Downstairs in the Artist Gallery, you’ll find the piano John Lennon used to write “Imagine,” Stevie Ray Vaughn’s signature guitar which he jams on in a video clip, and wardrobes worn by Johnny Cash, Elvis, and Taylor Swift. Nearby is the Experience Gallery, where you can pound the drums, try the xylophone, and other bizarre metal instruments that seemed better suited for Tibetan monks. A whole lot of fun that’s highly recommended when you’re next in Phoenix. 

Having sat next to my brother at a number of his workshops, including stops at Harvard and the Seattle Film Festival, I know firsthand how incredibly inspirational his talks can be. Jim’s already worn so many hats in the entertainment world—talent agent to stars like Alan Arkin and Helen Hayes, screenwriter, director, theater director, documentarian, award-winning producer—and known so much talent that have succeeded beyond their wildest dreams and others that have failed miserably. In fact, he’s distinctly qualified to understand and analyze why some people can make a good living pursuing their creative ambitions and others stuff those dreams away in a dimly lit office far from their film, art, or journalism schools. Take it from a guy who’s worked as a full-time travel writer and screenwriter for the past two decades, Spielberg is not going to call on line one and you’ll be marketing far more than you’ll be writing. 

On our first full day in Cape Town, Lisa and I took the sage advice of a South African art collector and hired Stephen Long as our guide for the day. Stephen is well known in the Cape Town arts community (and to the shaman of the Eastern Cape) as one of the most renowned bead dealers in the region. Many of the beads you find in the beadwork of South African art is actually imported from Venice, the Czech Republic, and now China. Our first stop was the South African National Gallery, where we viewed activist art created during the oppressive apartheid regime. One of the most disturbing pieces is the three life-sized figures with horns and no mouths called The Butcher Boys, created in plaster by Jane Alexander.

Then it was time see some of the impressive local crafts found in the city. The Gallery Shop, on bustling Church Street (48), is a gem of a small store selling colorfully beaded jewelry, sculpture, wall hangings, pillowcases, and more. Owner Lorin Strieman used to run the gift shop at the Natioanl Gallery and she has a great eye for contemporary South African craft. It’s hard not to purchase all the whimsical beaded animals at Monkeybiz. The pieces were created by impoverished, HIV-positive women who were trained as artists to make a living. It was wonderful to walk upstairs and see all these women sitting together and laughing while creating art. Just as alluring is the work at Streetwires, where sculpture of all sizes is created by wire and bead. Like Monkeybiz, you can walk upstairs to see the large group of artists at work. Bags in hand from all the goods we purchased, we visited the colorful houses and mosques found in the nearby Bo-Kaap neighborhood still home to a large Cape Malay population. All of our purchases are now back at our house, cherished from our memorable day with Stephen. We’re happy to pass along his contact information to anyone who’s interested in hiring him for the day. 

When the actor Steve Martin first viewed a painting by Lawren Harris, he mistook it for a work by Rockwell Kent. 

Last time I visited that street art museum they coined Wynwood Walls in Miami, I had lunch at the newly opened restaurant, Wynwood Kitchen & Bar. I remember walking inside and being blown away by the massive mural Shepard Fairey painted behind the restaurant’s bar. Just as exciting was the wonderfully whimsical and colorful work by Brazilian identical twins, Os Gêmeos, best known in Boston as the pair who created the beloved 70-by-70 feet mural of a boy in pajamas that overlooked Dewey Square for more than a year. On that first visit, I met the daughter of Tony Goldman, the real estate developer who wanted to do something special for the start of Art Basel in 2009. Goldman wanted to bring the crowd into the emerging neighborhood of Wynwood, nestled between the Design District and downtown. Much of the industry here once centered around shoe manufacturing. When that went into decline in the 1980s and ’90s, those buildings became derelict. That’s when Goldman stepped in and started to buy some of the properties, envisioning a lively arts scene. 

Seven years ago, the director of a small museum in the Netherlands set out on an impossible quest: he wanted to borrow every surviving work in the world by the wildest imagination in the history of art, Hieronymus Bosch, to celebrate his 500th anniversary in the city of his birth. In an exhibition opening in February (February 13-May 8), Charles de Mooij will unveil his haul at his Noordbrabants museum in Den Bosch, officially known as ‘s-Hertogenbosch. He has secured 20 of the 25 surviving panels, including several reunited triptychs, and 19 of the 25 drawings, a collection he believes will never be assembled again. Many of the paintings could only travel because money from the Getty Foundation paid for state-of-the-art conservation work to clean the surfaces of the oak panels. This small Dutch city is planning to go bonkers with Bosch fever. There will be moving projections of Bosch paintings in the marketplace, and 3D recreations of angels, demons, damned souls, mermaids riding on flying fish, drunken priests, lascivious women, and monsters with the legs of a giant chicken and the body of an egg. Sounds like one exhibition that should not be missed. 

I finally made it to the new Whitney Museum of American Art in Manhattan over Christmas break. The new building is located on Gansevoort Street, just off 14th street on the western edge of the island. The day was unseasonably warm when we went, so we took full advantage of the outdoor balconies to stare at the view of the Hudson River down to the Statue of Liberty. From the outside, the Whitney looks small. Once you walk in, however, and peer at the oversized works of sculptor and artist Frank Stella do you understand the immense length of the new building. Very few art museums could put on a retrospective of Stella because one sculpture can take over an entire room. The Whitney does an impressive job of showcasing his works. See the show before it leaves on February 7th and then take a walk on the nearby High Line, the popular 1.5-mile linear park, built from the dilapidated ruins of an elevated railway. It has completely reenergized this once overlooked part of the city. 

Vermont might be gearing up for the fall foliage crowds, but the real party starts on Saturday, November 7th. That’s when Roots on the Rails, known for its train rides out West that feature live music performances, is staging its first Vermont trip. The round-trip train ride, which is four-hours each way, will climb over the Green Mountains, past covered bridges, villages, farms and gorges while guests listen to folk and indie rock artists perform 45-minute sets. The line-up includes Jimmie Dale Gilmore, Syd Straw, Winterpills, and the Meadow Brothers. The rest of the weekend package includes performances and receptions off the train at locations in Bellows Falls and Saxtons River, with lodging at the Saxtons River Inn. Packages for the weekend run from $429 to $889 per person and space is limited to 60 patrons.